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浙江湖州未來峯前場景觀設(shè)計(jì) | Wutopia Lab

經(jīng)典案例 2020-09-18 來源：gooood

項(xiàng)目名稱：

White Upland（未來峯前場）
項(xiàng)目地點(diǎn)：

湖州吳興區(qū)東坡路與二環(huán)南路交叉口
項(xiàng)目規(guī)模：

3296㎡
設(shè)計(jì)公司：

Wutopia Lab
委托方：

上海惠建投資有限公司
建成時(shí)間：

2020年8月
圖片來源：

CreatAR Images

上?；萁ㄑ?qǐng)Wutopia Lab為他們?cè)诤蓓?xiàng)目的售樓中心設(shè)計(jì)一個(gè)前場。甲方希望這個(gè)前場要不一樣，至于如何不一樣，請(qǐng)建筑師決定。如果需要可以改建售樓中心的立面，但需要保留室內(nèi)。

^{Shanghai Huijian invited Wutopia Lab to design a welcoming stage in front of the sales’ center of their project in Huzhou. The only request from the client was to make it different. We can design the fa?ade of the sales’ center but keep the interior unchanged.}

^{▲視頻，video ?CreatAR Images}

從一線城市到三四線城市新區(qū)的人們都居住一種似乎有規(guī)劃但實(shí)際無個(gè)性、無歷史、無中心、無規(guī)劃的相似面貌的新城里。都居住在無差別的房型里面以及清一色的房地產(chǎn)之新古典主義或者新Art ‘deco的立面后。你們事實(shí)上各不相同的生活就被這現(xiàn)實(shí)中的閃閃發(fā)光的Generic City所掩埋。

^{In China, no matter where you are, as long as you live in a so-called “modern city”, you can find the drastic similarity among all of them, that they are all “seems” new, but with no character, no history, no center and no planning. People are living in similar houses that either are “Neo-Classicalism” or have a “New Art Deco” fa?ade. Every one actually lives very differently. However, now our distinctive lives are all covered by those generic but flashy Generic City masks.}

^{▲鳥瞰，aerial view ?CreatAR Images}

俞挺在2017年的夢(mèng)想改造家真人秀里把一套三房兩廳的戶型改成一房一廳。這個(gè)在網(wǎng)絡(luò)上被口水淹沒的設(shè)計(jì)是俞挺試圖改變對(duì)人們習(xí)以為常的居住模式（其實(shí)這個(gè)模式成為普遍模式也沒超過40年）的一次試探。

Yu Ting was invited to design the interior of an apartment in a Reality TV Show called Dream Home. He took every wall he could take from the apartment, which means that he changed it from a three-bedroom to a one-bedroom apartment. This move brought Yu Ting criticism from all over the internet. That was one of his experiments to change the way people live normally (although this normal had just lasted for less than 40 years).

^{▲設(shè)計(jì)生成，generation diagram ?Wutopia Lab}

既然發(fā)展商大方地把設(shè)計(jì)的主導(dǎo)權(quán)交給了俞挺。他覺得可以去主動(dòng)創(chuàng)造這么一個(gè)新場所，這個(gè)后來被他命名為White upland的鋼鐵花園，是綜合了建筑，景觀，室內(nèi)，照明，裝置藝術(shù)以及我們生活中某些回憶和情緒的魔幻現(xiàn)實(shí)主義場所，把一個(gè)銷售中心的前場變成一個(gè)周邊地區(qū)都可以共享，甚至整個(gè)湖州人民都可以使用的開放的超現(xiàn)實(shí)主義花園，它就是一個(gè)反Generic City宣言。

^{Since the client generously gave Yu Ting the freedom to design this stage, Yu ting could not let this chance go. He wants to create this new space, later named White Upland by him, that is a combination of architecture, landscape, interior, lighting, art installation and the most personal moments we have in our lives, memories and emotions. He made this welcoming stage of a sales’ center a communal place, a surreal garden where people around this neighborhood, as well as people from Huzhou could come to enjoy. This is his Manifesto of Anti-generic city.}

^{▲城市中的共享花園，public garden in the city ?CreatAR Images}

俞挺在2018年第四期的《時(shí)代建筑》的文章《必須主觀：客觀的當(dāng)代設(shè)計(jì)無法繼承主觀的古典園林》一文中提出了主觀性設(shè)計(jì)態(tài)度。所以在White upland。他從自身的經(jīng)歷和體悟出發(fā)，決定以夢(mèng)境為主題。這個(gè)場所可以擋住售樓中心的立面而不用花費(fèi)精力去改建它。這個(gè)完整但普遍的售樓中心鑲嵌在普遍的枯燥的彌漫蔓延的新區(qū)一起以無個(gè)性、無歷史、無中心成為邊界清晰中心明確，同時(shí)純粹有個(gè)性創(chuàng)造歷史的White upland的上句。主觀性也是反Generic City的。

^{In White Upland, Yu Ting started from his own experience and decided to make Dream as the design principle. Instead of changing the fa?ade of the sales’ center, he chose to cover it by his design. While the original sales’ center remains most normal, boring condition, it becomes the most powerful contrast to this distinctive, history-making White Upland. Subjectivity is also anti-generic.}

^{▲頂視圖，top view ?CreatAR Images}

生活是一系列的挫折和打擊，“我們根本沒有能力遺忘或者粉飾那些我們認(rèn)定的災(zāi)禍，它們撕裂我們，重?fù)簦舸?，灼傷我們，讓我們窒息。（西塞羅）” 只有在風(fēng)暴，人們才能深刻體會(huì)家對(duì)于人生的重要意義。就此，如果有這么一個(gè)場所，能夠讓人有那么一個(gè)瞬間脫離現(xiàn)實(shí)，忘記痛苦以及時(shí)間加諸于因人各異的身體上的痛苦和精神上的焦慮。它就應(yīng)該是美好回憶以及祝福未來的夢(mèng)境。一個(gè)讓人忘記了時(shí)間的場所。這正如維特根斯坦感慨的那樣“唯有當(dāng)人不活在時(shí)間之中，而只活在當(dāng)下，他才快樂”。是的，人們需要一個(gè)快樂的白日夢(mèng)。白日夢(mèng)一定是反Generic City的。

^{Life is a series of obstacles and challenges. Only within the storm, people could deeply perceive the most important meaning of life. Therefore, if there is one place, where people could escape from the reality, forget the pain and pressure that time brings us physically and mentally, it must be in the dreams. Yes, people need daydreams, and daydreaming is anti-generic.}

^{▲與城市環(huán)境形成對(duì)比的場所，a place contrasting the urban environment ?CreatAR Images}

發(fā)展商希望這個(gè)花園能展示項(xiàng)目預(yù)制技術(shù)應(yīng)用的特點(diǎn)。俞挺決定使用Generic的鋼材。在工廠制作成型后到現(xiàn)場安裝。他很滿意在建筑模型博物館中用連續(xù)的直立鋼桿形成半透明的連續(xù)界面。于是這次他用529根6米高的鋼柱來構(gòu)成White Upland半透明的形狀完整的邊界，并就此消解了售樓中心的立面。

^{Our client wants this garden to showcase the prefabrication technologies in this project. Yu Ting chose the very generic material, steel. Last time the Models in Model, he managed to create a semi-transparent screen from continuous steel column. This time, to achieve the same result, he used 529 six-meter-high steel columns to mark the boundary of White Upland, as well as resolve the fa?ade of the sales’ center.}

^{▲直立杠桿形成半透明的連續(xù)界面，steel columns creating a continuous semi-transparent screen ?CreatAR Images}

White Upland的入口，有一個(gè)被16株紅楓所環(huán)抱的水墨園。50噸黑山石有如墨跡在白色夢(mèng)境中暗示了本地作為江南的歷史，地理以及文化的一絲痕跡。

^{At the entrance of White Upland, there is an ink garden surrounded by 16 red maple trees. The 50 tons of black mountain stones are like ink, which in the white dream implies a trace of local history, geography and culture as the south of the Yangtze River.}

^{▲入口頂視圖，由16株紅楓環(huán)抱，top view of the entrance embraced by 16 red maple trees ?CreatAR Images}

^{▲水墨園，ink garden ?CreatAR Images}

White Upland的眼睛是從水墨園在進(jìn)入暗示未來的森林前的一個(gè)深藍(lán)色但光線泠泠的山洞。在這個(gè)眼睛的停頓的瞬間里，你們會(huì)明白無論生活有多少不確定，但至少這個(gè)瞬間是堅(jiān)定和幸福的，是希望。

^{Going through the Ink Garden, before entering the forest that suggests the future, you will encounter the White Upland’s eye, a dark blue but cool-lighted cave. In this moment when you paused in the “eye”, you will understand that no matter how much uncertainty life has, but at least this moment is firm and happy, is hope.}

^{▲入口處的山洞空間頂視，top view of the cave at the entrance ?CreatAR Images}

^{▲深藍(lán)色的內(nèi)部空間，interior space in dark blue ?CreatAR Images}

^{▲穿孔板細(xì)部，details of the perforated panels ?CreatAR Images}

^{▲通向花園的出口，exit connecting to the garden ?CreatAR Images}

White Upland里你們可以像愛麗絲吃了縮小藥那樣。脆弱的三葉草成為參天大樹成為森林。變形后的你們可以重新認(rèn)識(shí)自己的身體，并強(qiáng)化了它們。

^{In White Upland, you can shrink like Alice in the Wonderland. The fragile clover becomes a towering tree then form a forest. Through this transformation, you can recognize your bodies and strengthen them.}

^{▲巨大的三葉草花園，garden composed of large steel clovers ?CreatAR Images}

^{▲水霧讓空間如同夢(mèng)境，mist making the place like in a dream ?CreatAR Images}

White upland作為一個(gè)新類型的場所本身就是一個(gè)編織了你們生活中許多欲望，情緒以及回憶和希望的超級(jí)建筑學(xué)文本。其基本構(gòu)成來自于俞挺女兒堂堂的夢(mèng)中和繪畫里時(shí)常出現(xiàn)的場—森林。俞挺用108根三種尺寸的鋼鐵三葉草作為基本要素構(gòu)建了抽象森林。并以森林形態(tài)為依據(jù)沿著參觀路徑創(chuàng)造了巖洞，山丘，溪流，涌泉，作為空地的林間劇場，巨石和荒原。他參考了瑪格利特的繪畫，將這些物體改寫成白色的精致幾何體。并以設(shè)備模擬了星空，云朵，晨藹，迷霧，鳥叫和花香以及篝火。這一切都是白色的，抽離所有物體的物質(zhì)性而讓一切顯得不真實(shí)。最后他用Generic的材料和最基本的形式重復(fù)以及組合而建造了復(fù)雜豐富的anti-Generic之夢(mèng)—106噸鋼鑄就的3300平米的White upland。

^{White Upland creates a mega architecture context, woven in a lot of desires, emotions, memories and hopes in our lives. The main narrative of White Upland was inspired by Yu Ting’s daughter, Tangtang’s dream. Forest is one of the most frequent elements in Tangtang’s dream. Yu Ting used 108 white steel columns in three sizes to form this abstract forest. Then follow the visitors’ circulation, he made different landscapes, such as caves, hills, streams, rocks, highlands, waterfalls and theatres in the woods. He referenced from Rene Magritte’s painting, to abstract those landscapes. He also used facilities to create weather here, then it has starry sky, cloudy sky, sunrise, fog, sounds and smells from the nature, and a bonfire. Making them white makes all of them surreal. Eventually, Yu Ting succeeded in using the most generic materials and manipulations to build an exuberant anti-genetic dream-land, a 3300 m2 White Upland by 106 tons of steel.}

^{▲平面圖，plan ?Wutopia Lab}

^{▲香氛花園，garden of fragrance ?CreatAR Images}

你們可以看到云朵下的木馬，這個(gè)代表成年孩童心的道具已經(jīng)在俞挺關(guān)于夢(mèng)境的一系列設(shè)計(jì)中反復(fù)出現(xiàn)。你們也可以看到秋千，看到彩色的沙坑，看到眼睛里的星空。這些曾經(jīng)在生活中閃過的片段被重新提煉后鑲嵌到White Upland。當(dāng)然如果算上大熊和獨(dú)角獸，而只有這些，那不過是諂媚。生活不止這些形式。俞挺特別喜歡上海靜安嘉里中心的旱地噴泉。那不僅是景觀，也是孩童們互動(dòng)的游戲場地，更是人們社交的核心去處。所以在林間空地，他執(zhí)意做了設(shè)置了117個(gè)噴嘴組成的噴泉。和噴泉相對(duì)的是巨大的覆蓋下的劇場，是夏天的樂隊(duì)表演的場所。這兩處構(gòu)成了家庭和朋友們社交的生活場景。森林中央的篝火是大界機(jī)器人用5954米熒光碳纖維編織而成的紅色的圓錐體，它是一個(gè)可以進(jìn)入的固體火焰。它在白色森林里，在白色山丘上，它是White Upland的中心，讓人感受安全和溫暖，或者是愛情。如此，看上去真實(shí)的White upland其實(shí)是真實(shí)的生活文本。

^{You can see the Trojan horse under the clouds. This prop, which represents the innocence of an adult child, has repeatedly appeared in Yu Ting’s series of dream designs. You can also see swings, colorful bunkers, stars in your eyes. These fragments, which once flashed in life, are re-fined and inlaid into White Upland. Of course, if that’s all, it’s just flattery. Life is much more than that. Yu Ting is particularly fond of the fountain in Shanghai’s Jing’an Kerry Center. It is not only a landscape, but also a playground for children to interact with, but also a central place for people to socialize. So on the plaza hidden in the forest, he set up a fountain of 117 nozzles. Opposite the fountain is the huge covered theater, where bands can perform in the summer. These two places make up the social life scene of family and friends. The bonfire in the middle of the forest is a red cone woven by the Roboticplus.ai with 5954 meters of fluorescent carbon fiber. It is a solid flame that one can enter. In the white forest, on the white hills, at the center of white upland, people can find safe and warm, or love. In this way, the unrealistic White Upland actually reflects a real life context.}

^{▲連續(xù)而豐富的空間，rich and continuous space ?CreatAR Images}

^{▲劇場，旱噴廣場和圣誕樹，theater, dry fountain and Christmas tree ?CreatAR Images}

^{▲云朵下的木馬，Trojan horses under the clouds ?CreatAR Images}

^{▲圣誕樹，Christmas tree ?CreatAR Images}

White Upland也是可以閱讀的，在地面上鑲嵌著代表不同場景的符號(hào)，這些抽象的圖案其實(shí)是專門為這鋼鐵花園設(shè)計(jì)的文字。你們可以依據(jù)這些文字更深入地解讀夢(mèng)境的語言。

^{White Upland can also be read, inlaid with symbols representing different scenes on the ground. These abstract signs are actually words specially designed for this steel garden. They help you understand the language of dreams and read it more thoroughly.}

^{▲頂視圖，地面上鑲有不同符號(hào)代表不同場景，top view, symbols on the ground indicating different scenes ?CreatAR Images}

White Upland里的時(shí)間被減慢的。要知道我們?nèi)缃竦氖澜绫痪_的計(jì)時(shí)器所定義的情況下，每個(gè)人對(duì)于無法避免地走向終局始終有個(gè)讀秒的緊迫感和焦慮。我們流連于微小但此起彼伏的夢(mèng)境里時(shí)，White Upland所減慢的時(shí)間的現(xiàn)實(shí)意義就突顯出來了。不過在White Upland里還蘊(yùn)含更高級(jí)的時(shí)間觀。充滿溫情地贊嘆細(xì)微的瞬間的當(dāng)下之美，饒有趣味的欣賞生命輪回帶來的滿意。輪回是當(dāng)代人已經(jīng)不相信的一種時(shí)間觀，但觀念所構(gòu)筑的身后世界成為生命互動(dòng)的下句，彼此輪回交替讓生命不在恐懼于單一的終點(diǎn)。最后這時(shí)間觀貢獻(xiàn)出了中國人最重要的生活經(jīng)驗(yàn)—生機(jī)。

^{Time slowed down in White Upland. You know, with our world defined by precise timers, everyone has a sense of urgency and anxiety about the inevitable end. The real significance of the time that White Upland has slowed down becomes apparent as we linger in tiny but recurring dreams. But in White Upland, there is another scale of time. Here you can not only appreciate the beauty of subtle moments, but also find satisfaction in re-thinking the meaning of life cycle. Reincarnation is a concept of time that contemporary people no longer believe. However, the world behind ourselves has become the next stage of life interaction. Reincarnation makes life longer than a single end point. This concept of time contributes to the most important life experience of Chinese people — vitality.}

^{▲在園中漫步，wandering in the garden ?CreatAR Images}

White Upland從空中看的輪廓就是一個(gè)無限大的符號(hào)。夢(mèng)可以無限大，希望也可以無限大的。人們一定要明白有些東西的暫時(shí)性存在比如White Upland也許僅僅是為了體驗(yàn)?zāi)慷媚硞€(gè)想法變成現(xiàn)實(shí)而帶來的樂趣或者幸福。人們甚至花時(shí)間去創(chuàng)造那類基本無任何實(shí)用用途的建筑和場所也是有價(jià)值的。短暫，轉(zhuǎn)瞬即逝然而又自相矛盾在White Upland這個(gè)場所里具有了更永恒的意味。它不僅僅是夢(mèng)想，其實(shí)也是關(guān)于更美好生活的一個(gè)神圣空間。

^{The footprint of White Upland is an infinite symbol. Dream can be infinite. So is hope. It’s important for people to understand that something temporary, like White Upland, is created may be just for the pleasure or happiness of seeing an idea come true. People are even willing to take time to create buildings and places that are basically useless. Transitory, fleeting, yet paradoxical, has a more permanent meaning in White Upland. It’s not just a dream, it’s actually a sacred space about a better life.}

^{▲夜景，night view ?CreatAR Images}

當(dāng)White Upland邊界連續(xù)的燈柱在夜色點(diǎn)亮后，任何人都會(huì)即刻明白這個(gè)充滿隱喻和象征意義的場所比建筑所呈現(xiàn)的形式更為深刻。

^{When the continuous lampposts of White Upland border are lit in the night, anyone will immediately understand that this place full of metaphor and symbolic meanings is more profound than the form of architecture.}