葡萄牙ABRIGO裝置設(shè)計(jì) | FAHR 021.3

項(xiàng)目坐落于米尼奧河左岸的Lanhelas小鎮(zhèn)。該小鎮(zhèn)位于當(dāng)?shù)厥姓员?，是Caminha教區(qū)的一部分。Lanhelas小鎮(zhèn)與米尼奧河有著深遠(yuǎn)而強(qiáng)大的經(jīng)濟(jì)聯(lián)系，當(dāng)?shù)氐臍v史記憶與傳統(tǒng)都與米尼奧河息息相關(guān)。葡萄牙傳統(tǒng)的小船“Carocho”就是一個(gè)很好的例子，它不僅是高效的交通工具，還是身份地位的象征，同時(shí)它還組成了米尼奧河景觀的一部分。Lanhelas小鎮(zhèn)遍布花崗巖建造的房屋，其中景色壯麗的卡薩達(dá)托莊園酒店最為引人注目。項(xiàng)目裝置將河岸的景色納入框景之中，使人們的視線聚焦在宛若河畔明珠的卡薩達(dá)托莊園上。

^{Sitting on the left bank of the Minho river, Lanhelas is the parish of Caminha further north of the municipality. With a strong and long-standing economic connection to the river, the town holds some deep memories and popular traditions. “Carocho” is an example of this, an icon of identity and an effective means of transportation that is also part of the landscape. Lanhelas extends through the land in a cluster of granite houses – of which we highlight the beauty of Solar da Casa da Torre, with its gargoyles –, but the riverside area is its crown jewel.}

^{▲項(xiàng)目遠(yuǎn)觀，viewing the project at distance ? Filipa Frois Almeida}

^{▲裝置將河岸的景色納入框景之中，the project frames and highlights the beauty of the shore ? Filipa Frois Almeida}

米尼奧河的左岸，除了作為農(nóng)耕儲(chǔ)備用地外，還擁有豐富的自然景觀資源。在這里，人們可以悠閑地在生態(tài)景觀道上漫步，或在欣賞田園風(fēng)光的同時(shí)享受一頓豐盛的野餐。此外，它還受到喜愛(ài)釣魚(yú)的人們，甚至專業(yè)釣魚(yú)人士的青睞。沿著米尼奧河畔漫步，人們經(jīng)常可以看到一系列漁業(yè)相關(guān)的元素，如系泊于岸邊的小船，陽(yáng)光下閃閃發(fā)光的漁網(wǎng)，以及河邊的用來(lái)儲(chǔ)存漁具的小棚屋，它們彷佛在靜靜地等待著漁民滿載而歸。

^{This riverfront, on the left bank of the Minho river, in addition to being an agricultural reserve with lots of land suitable for cultivation, is widely sought after by those who wish to go for a walk through the eco-track, enjoy a picnic or the countryside, or even engage in professional and recreational fishing. As we walk along the banks of the Minho River we can see a set of structures related to fishing: boats, moorings tied to the shore, nets drying in the sun, small huts for storing fishing equipment along the riverfront, between the trees, as if awaiting the return of the fishermen to become useful.}

^{▲項(xiàng)目與儲(chǔ)存漁具的小棚屋，the project and the small huts for storing fishing equipment along the riverfront ? Filipa Frois Almeida}

項(xiàng)目所在的場(chǎng)地處于自然之中，在這里時(shí)間彷佛慢了下來(lái)，人們可以完全沉浸在與環(huán)境的交流之中。設(shè)計(jì)師將裝置放置在景色優(yōu)美的河岸，它宛如一尊潔白的雕塑，靜靜等待著人們的到來(lái)，隨后，將一切和諧地融入自然風(fēng)景。精心設(shè)計(jì)的形式與構(gòu)圖，使得項(xiàng)目與當(dāng)?shù)丨h(huán)境完美結(jié)合。

^{The area of intervention is a place where time seems to slow down, allowing a complete communion with the surrounding environment. It is here that, suddenly, the piece integrates the context, when the authors decide to put it in front of the river, waiting for someone to occupy it and fill the landscape. A formal and compositional relationship that makes the piece very local.}

^{▲項(xiàng)目宛如一尊潔白的雕塑，靜靜等待著人們的到來(lái)，the project waiting for someone to occupy it and fill the landscape? Filipa Frois Almeida}

ABRIGO裝置由一個(gè)適應(yīng)場(chǎng)地的框架構(gòu)成，描繪出一隅沉思的角落。它為人們提供了河邊休憩的場(chǎng)地，使人們?cè)隗w驗(yàn)裝置空間的同時(shí)，悠閑地欣賞河岸的美景。于此，獨(dú)特的裝置元素，將周圍的景觀統(tǒng)一起來(lái)，營(yíng)造出和諧的氛圍。

^{The piece draws a corner of contemplation, a frame that moulds and adjusts to the place, resting on the river shore and framing the landscape with the same languidness with which we experience the space. Here we recognize a set of unique elements that build their image and identity as a whole.}

^{▲項(xiàng)目提供了河邊休憩的場(chǎng)地， the project provide a place for resting on the river shore ? Filipa Frois Almeida}

歷史的痕跡與豐富的景觀層次，使人們放緩腳步；附近的田野與河流，引發(fā)人們對(duì)自然的遐想與深思。來(lái)到步道的盡頭，在潺潺的流水與沙沙作響的楊樹(shù)之間，向著河岸極目遠(yuǎn)眺，此情此景讓人心曠神怡。

^{The marks of the past and the various strata of the landscape make us stop, and the nearby water between the fields triggers our senses. Arriving at the dead-end, we simply stand between the rushing water and the rustling of the poplars, only exposed to the limits of our gaze over the other shore.}

^{▲由項(xiàng)目看河岸建筑，viewing the granite houses inside the project ? Filipa Frois Almeida}

^{▲項(xiàng)目細(xì)部，detail of the project ? Filipa Frois Almeida}

^{▲項(xiàng)目頂部細(xì)節(jié)，detail of the top part ? Filipa Frois Almeida}

^{▲材料細(xì)部，details of the material ? Filipa Frois Almeida}

^{▲項(xiàng)目安裝過(guò)程，installation process ? Filipa Frois Almeida}

^{▲項(xiàng)目圖紙，drawings ? FAHR 021.3} 

_{Author： FAHR 021.3} 

_{Team：Hugo Reis and Filipa Frois Almeida}

_{Construction： Retail Concept S.A. + MAOS Carpintaria} 

_{Photography：Filipa Frois Almeida}

_{Promotor：Cim Alto Minho} 

_{Location：Lanhelas, Caminha, Portugal}

_{Completion： 2018}

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