西班牙“棍棒與石頭”藝術(shù)裝置設(shè)計(jì) | Anna & Eugeni Bach

San Gregorio的地窖里有一件有趣的藝術(shù)品，乍一看，它似乎是一堵木墻，擋住了人們的去路，占據(jù)了整個(gè)筒拱空間。

^{An intriguing artifact can be found in the San Gregorio Cellar. At first sight it appears to be a wooden wall that blocks one’s path and occupies the entirety of the barrel-vaulted space.}

^{▲項(xiàng)目概覽，overview ? Eugeni Bach, Javier Antón}

事實(shí)上它是由腳手架支撐的膠合板，并且只是裝置的外部元素，具有不穩(wěn)固性和臨時(shí)性。它的形狀與所處空間相同，材質(zhì)看起來(lái)很輕且可移動(dòng)，而其所處的空間由石頭構(gòu)成，呈現(xiàn)出與之相反的沉重感和穩(wěn)定性。

^{Clearly, it is an external element; the fact that it is made as a plywood scaffolding reveals that it is somewhat unstable, and probably, temporary. It appears light and removable, both due to its shape and the materials of its construction, while on the other hand it presents the same shape as the space it occupies, which is in contrast stonelike, heavy and stable.}

^{▲輕質(zhì)膠合板與石墻產(chǎn)生對(duì)比，light plywood contrast with stone wall ? Eugeni Bach, Javier Antón}

^{▲細(xì)節(jié)，details ? Eugeni Bach, Javier Antón}

走進(jìn)就會(huì)發(fā)現(xiàn)木墻旁邊有通道可以穿到另一邊，拉開(kāi)帷幕，空間瞬間發(fā)生變化，木墻、石頭、筒拱全都不復(fù)存在，地窖完全變了模樣，變成明亮的、歡快的、瞬息萬(wàn)變的構(gòu)造性空間。穿過(guò)這個(gè)空間，地窖又恢復(fù)原樣，剛剛的空間卻保留在大腦中。

^{Up close, it is discovered that the wooden wall allows a passage through, as it moves to one side to allow for a crossing to the other. Therein lies a curtain to be drawn in order to enter, and all of a sudden, a complete change of space…the ashlars, the stone and the vault… the cellar becomes something else entirely; a light, festive, ephemeral and tectonic space. Once can traverse this new space and upon exit confirm that the cellar remains as it was, immutable and stonelike, though the mind retains the altered space just crossed.}

^{▲木墻旁有通道可以穿到另一邊，wooden wall allowing a passage through ? Eugeni Bach, Javier Antón}

^{▲拉開(kāi)帷幕，空間對(duì)比，open the curtain, space comparison ? Eugeni Bach, Javier Antón}

^{▲裝置內(nèi)部，明亮的、歡快的、瞬息萬(wàn)變的構(gòu)造性空間，interior of the installation，a light, festive, ephemeral and tectonic space ? Eugeni Bach, Javier Antón}

^{▲細(xì)節(jié)，details ? Eugeni Bach, Javier Antón}

體驗(yàn)過(guò)后，石頭與帷幕、重與輕、筒拱與吊線、嚴(yán)肅與歡快、立體感與構(gòu)造性的空間相互重疊，使人們理解了地窖空間，既反映了它的存在，也反映了其對(duì)立面。正如劉易斯·芒福德在關(guān)于美國(guó)建筑史的著作中所述：一旦理解了空間的本質(zhì)，就可以用“棍棒與石頭”來(lái)概括一切。

^{After the experience, both spaces, stone and textile, heavy and light, vaulted and catenary, severe and festive, stereotomic and tectonic, overlap and allow for an understanding of the cellar that reflects both its reason for being and its opposite.As stated in Lewis Mumford’s famous book on the history of American architecture, once a space is apprehended in its essence, everything can be summed up by what it contains: “sticks and stones”.}

^{▲平面與剖面，plan and section ? Anna & Eugeni Bach}

^{▲裝置內(nèi)外，interior and exterior of the installation ? Anna & Eugeni Bach}

^{Architects: Anna & Eugeni Bach}

^{Collaborators: Mariana Vala (A&EB)}

^{Completion date: 2020}

^{Client: Concéntrico / Festival Internacional de Arquitectura y Dise?o de Logro?o. Comisariado por / Curated by Javier Pe?a.}

^{Constructor: PROSMA / www.prosma.es}

^{Material: GARNICA / www.garnica.one}

^{Address: Calado de San Gregorio, Logro?o, Espa?a.}

^{Photographs: Eugeni Bach, Javier Antón.}

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