「為什么工廠」帶你重新想象過(guò)去的未來(lái)

洄游，或城市的循環(huán)想象

CITIES, CIRCLING IN TIME

時(shí)間   2021年10月16日 - 12月30日

地點(diǎn)   深圳市南山區(qū)南頭古城if工廠204 

Date   October 16 - December 30, 2021

Venue 204 idea factory, Nantou City, Shenzhen

《今日已舊/ The New Old》是MVRDV創(chuàng)始合伙人、荷蘭代爾夫特理工大學(xué)教授Winy Maas在代爾夫特理工大學(xué)創(chuàng)立和領(lǐng)導(dǎo)的智庫(kù)機(jī)構(gòu)——「為什么工廠」 (The Why Factory, 縮寫(xiě): t?f) 與西班牙加泰羅尼亞高等建筑研究所IAAC城市與技術(shù)碩士項(xiàng)目合作開(kāi)展的一項(xiàng)研究。這項(xiàng)研究將以展覽的形式，在深圳南頭古城if工廠的CABLE展廳中呈現(xiàn)。巧合的是，if工廠也是MVRDV最新完成的建筑改造項(xiàng)目。

The New Old is a research by The Why Factory, a global think-tankand research institute led by Winy Maas, Professor of TU Delft and Founding Partnerof MVRDV, in collaboration with the Master of City and Technology at IAAC (Institute for Advanced Architecture of Catalonia, Spain). The research will be presented as part of the exhibition Cities, Circling in Time at CABLE gallery in Idea Factory, a renovation project recently completed by MVRDV in Nantou Ancient Town in Shenzhen.

這項(xiàng)研究通過(guò)對(duì)“舊”的重新定義和思考，闡述了任何現(xiàn)存狀態(tài)由于技術(shù)、社會(huì)或文化的變遷，都可能成為過(guò)去的嶄新理念。研究小組通分析“即將過(guò)時(shí)”事物的位置、大小和時(shí)間線，想象塑造了在未來(lái)這些過(guò)去或者已經(jīng)成為過(guò)去的事物在城市發(fā)展中再次利用的可能。最后，通過(guò)對(duì)“舊”的再處理，比如移動(dòng)、再利用、重置或保存等不同策略，試圖在不同的城市環(huán)境下，為這些被遺棄的場(chǎng)景和建筑賦予全新價(jià)值。

The research explores what ‘Old’ means, what willbecome ‘Old’ in the future and how to manage everything that due to technological, social or cultural changes will soon become obsolete. By understanding the location, size and timeline of the soon-to-become-obsolete, we envisioned its future. ‘Re’ actions on the ‘Old’, such as ‘Re-moving’, ‘Re-using’, ‘Re-locating’ or ‘Re-membering’, to name just a few, let us understand what the New Old will be and how it will look like.

研究團(tuán)隊(duì)成員

Research team

The Why Factory:

Winy Maas, Javier Arpa Fernández, Adrien Ravon, Lex te Loo

Students (The Why Factory): 

Yousra  Ahllache, Jorn Beltman, Juliette Brouwer, Olivia Dolan, Dorsa Ghaemi, Mieneke Jongert, Reinier Kok, Sophie Koopman, Eva Maarleveld, Aga Omastka, Ivan Pashov, Marnix Prins, Matteo Tiraboschi, Rik van de Wijgert, Zwaan van der Scheer, Dino Vojvodi?, Lucas Zarzoso Hueck 

Students (IAAC): 

Adriana Aguirre Such, Arina Novikova, Alvaro Cerezo Carrizo, Dongxuan Zhu, Hebah Qatanany, I?igo Esteban Marina, Juan Pablo Pintado Miranda, Kevin Aragón, Diana Roussi, Kshama Patil, Laura Guimar?es, Leyla Saadi, Mario González, Marta Maria Galdys, Matteo Murat, Aishath Nadh Ha Naseer, Riccardo Palazzolo Henkes, Sasan Bahrami, Simone Grasso, Sinay Coskun, Sridhar Subramani, Stefania-Maria Kousoula, Tugdual Sarazin, Miguel Tinoco Hdz, Iván Reyes Cano

 關(guān)于「為什么工廠」

 About The Why Factory 

「為什么工廠」(The Why Factory, 縮寫(xiě): t?f) 是由MVRDV聯(lián)合創(chuàng)始人、荷蘭代爾夫特理工大學(xué)教授Winy Maas在荷蘭代爾夫特理工大學(xué)創(chuàng)立和領(lǐng)導(dǎo)的研究機(jī)構(gòu)?！笧槭裁垂S」專注于通過(guò)模型制作和未來(lái)都市的可視化研究，探索城市發(fā)展的可能性。

The Why Factory (T?F) is a global think-tank and research institute led by professor Winy Maas, founding partner of MVRDV. It explores possibilities for the development of our cities by focusing on the production of models and visualisations for cities of the future.

「為什么工廠」的教育和研究整合了研究型實(shí)驗(yàn)室和平臺(tái)，旨在分析、理論化和構(gòu)想未來(lái)城市。從普遍到具體，從全球到地區(qū)，「為什么工廠」在當(dāng)下的語(yǔ)境中研究和創(chuàng)造先于未來(lái)的可能性。它提出、建造并且展望假設(shè)的未來(lái)社會(huì)和城市，從科學(xué)到虛構(gòu)，反之亦然?！笧槭裁垂S」如同一個(gè)創(chuàng)造未來(lái)世界情境的生產(chǎn)機(jī)器。

Education and research of The Why Factory are combined in a research lab and platform that aims to analyse, theorise and construct future cities. The Why Factory investigates within the given world and produces future scenarios beyond it; from universal to specific and global to local. It proposes, constructs and envisions hypothetical societies and cities; from science to fiction and vice versa. The Why Factory thus acts as a future world scenario making machinery.

「為什么工廠」希望通過(guò)參與關(guān)于建筑和城市化的公開(kāi)討論，將The Why Factory的研究成果通過(guò)各種方式傳達(dá)給公眾，包括展覽、出版物、學(xué)術(shù)會(huì)議和專題研討會(huì)。

We want to engage in a public debate on architecture and urbanism. The Why Factory’s findings are therefore communicated to a broad public in a variety of ways, including exhibitions, publications, workshops, and panel discussions.

「為什么工廠」的成果曾在多個(gè)活動(dòng)中展出，例如2009年中國(guó)香港“設(shè)計(jì)營(yíng)商周”；2009年荷蘭海牙Foodprint Manifestation展覽；2010年德國(guó)柏林Imaginarium展。作品《垂直村落》”于2011年在中國(guó)臺(tái)北明日博物館展出，2012年在韓國(guó)首爾當(dāng)代藝術(shù)博物館展出，2013年在德國(guó)漢堡博物館展出。裝置作品《 (W)ego住宅》在2017年“深港城市/建筑雙城雙年展”上展出。

The work of The Why Factory has been exhibited at various events, such as the Business of Design Week, Hong Kong, 2009; Foodprint Manifestation, Den Haag, 2009; Imaginarium, Berlin, 2010; Museum of Tomorrow, Taipei, 2011; The Total Museum of Contemporary Art, Seoul, 2012; Hamburg Museum, Hamburg, 2013; COAM, Madrid, 2016; Architekturgalerie, Munich, 2017; Dutch Design Week, 2017; Spazio FMG, Milan, 2017.

「為什么工廠」將其研究的核心內(nèi)容濃縮為一套叢書(shū)——“未來(lái)都市合輯（Future Cities Series）”，由荷蘭出版商nai010聯(lián)合出版?！拔磥?lái)都市集合”系列叢書(shū)已出版過(guò)以下作品：《Visionary Cities》(2009)、《Green Dream》(2010)、《The Why Factor(y)》(2010)、《The Vertical Village》(2011)、《Hong Kong Fantasies》(2011)、《City Shock》(2012)、《Barba》（2015）、《We Want World Wonders》（2016）、《Absolute Leisure》（2016）、《Copy Paste》（2017）、《Poro City》（2018）、《Towers of Choices》（2019）和《Green Dip》（2020）。

At the core of The Why Factory’s campaign is a series of books —the ‘Future Cities Series’—, which is being published in association with nai010 Publishers in Rotterdam. In the ‘Future Cities Series’ the following books have been published: Visionary Cities (2009), Green Dream (2010), The Why Factor(y) (2010), The Vertical Village (2011), Hong Kong Fantasies (2011), City Shock (2012), We Want World Wonders (2014), Barba (2015), Absolute Leisure (2016) and Copy Paste (2017).

關(guān)于 CABLE 

About CABLE 

CABLE是位于深圳南頭古城if工廠的城市文化實(shí)驗(yàn)空間，于2021秋季對(duì)外開(kāi)放。CABLE將致力于傳播城市文化與空間想象，以開(kāi)放態(tài)度和獨(dú)立思考，持續(xù)關(guān)注城市、建筑、人文等領(lǐng)域的研究、記錄與實(shí)踐，積極探索介入城市社會(huì)的可能性。CABLE設(shè)有展覽與活動(dòng)空間、URBANIST書(shū)房和工作室，將長(zhǎng)期策劃和支持富有創(chuàng)造力的公共文化藝術(shù)活動(dòng)。

CABLE is an experimental space dedicated to urban investigations. It will present exhibitions and events to formulate interdisciplinary conversations about planning, architecture and culture with a specific focus on the city. With flexible spaces that can adapt into gallery, event, urbanist bookstore and artist studio, it aims to host public programs in urbanism and related issues.