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  • 《景觀設(shè)計(jì)學(xué)》2023年第3期

    作 者:
    周詳(ZHOU Xiang),李驥(LI Ji),劉祎緋(LIU Yifei)等
    類 別:
    景觀
    出 版 社:
    高等教育出版社
    出版時(shí)間:
    2023-06

基于景觀的遺產(chǎn)研究與實(shí)踐

Landscape-based Heritage Research and Practice

(周詳,李驥,劉祎緋,《景觀設(shè)計(jì)學(xué)》2023年第3期“主編寄語(yǔ)”)


1 關(guān)聯(lián)性視角下的文化景觀

“遺產(chǎn)”是受到啟蒙思想影響而誕生的現(xiàn)代概念。作為一種文化實(shí)踐,遺產(chǎn)的本質(zhì)涉及一系列關(guān)于價(jià)值的理解與建構(gòu),及其不斷被納入規(guī)范化的過(guò)程[1]。20世紀(jì)后半葉,全球各民族國(guó)家被認(rèn)證的遺產(chǎn)數(shù)量激增。聯(lián)合國(guó)教科文組織(UNESCO)于1972年頒布的《保護(hù)世界文化和自然遺產(chǎn)公約》(以下簡(jiǎn)稱《公約》)便是在權(quán)威遺產(chǎn)話語(yǔ)體系發(fā)展和制度化過(guò)程中的一座里程碑:它不僅確立了對(duì)具有突出普遍價(jià)值的文化與自然遺產(chǎn)進(jìn)行認(rèn)證和保護(hù)的國(guó)際制度,還將遺產(chǎn)的存在確定為一個(gè)重要國(guó)際議題,并以制度化的形式進(jìn)一步發(fā)展始于19世紀(jì)的保護(hù)理論。與此同時(shí),遺產(chǎn)保護(hù)的對(duì)象與景觀的關(guān)聯(lián)性也逐步加強(qiáng)?!豆s》所闡釋的遺產(chǎn)保護(hù)范疇包括了“人與自然共同的作品”,隨后在此基礎(chǔ)上產(chǎn)生了“文化景觀”這一特定遺產(chǎn)類型。

20世紀(jì)初,美國(guó)地理學(xué)家卡爾·索爾首次明確定義了文化景觀。隨后,德國(guó)地理學(xué)家?jiàn)W托·施呂特在研究區(qū)域聚落形態(tài)及其科學(xué)分類時(shí),呼吁人們充分認(rèn)識(shí)文化在景觀形成過(guò)程中的作用,并建議明確區(qū)分文化景觀與自然景觀[2]。這促發(fā)人們基于景觀與環(huán)境的關(guān)聯(lián)性來(lái)確定不同的景觀區(qū)域,并將“文化”與“景觀”相結(jié)合,進(jìn)一步拓展了文化景觀的概念[3]。20世紀(jì)末,瑞典地理學(xué)家唐·米切爾指出“景觀的產(chǎn)生機(jī)制”才是理解景觀的關(guān)鍵。在他看來(lái),景觀是一種關(guān)于社會(huì)或文化關(guān)系自然化、再生產(chǎn)和轉(zhuǎn)化的社會(huì)–政治過(guò)程,因此應(yīng)當(dāng)根據(jù)在地性的行為、活動(dòng)和表現(xiàn)來(lái)定義景觀[4]。受其影響,美國(guó)地理學(xué)家肯尼斯·奧維提出景觀是人們的文化實(shí)踐方式及價(jià)值變遷的歷史,基于景觀的遺產(chǎn)研究與實(shí)踐應(yīng)當(dāng)重視景觀與地方性、社區(qū)和法規(guī)習(xí)俗的關(guān)聯(lián)性[5]。因此,“文化景觀”概念的提出與發(fā)展不僅增強(qiáng)了遺產(chǎn)與景觀的關(guān)聯(lián)性,也極大擴(kuò)展了人們對(duì)于遺產(chǎn)價(jià)值的認(rèn)知[6]

受上述研究轉(zhuǎn)向的影響,許多擁有文化景觀屬性的遺產(chǎn)日益受到關(guān)注,“文化景觀遺產(chǎn)”一詞也逐漸出現(xiàn)在相關(guān)研究與實(shí)踐中。在遺產(chǎn)的性質(zhì)層面,文化景觀逐漸擴(kuò)展為一種促進(jìn)景觀管理和遺產(chǎn)保護(hù)的途徑;在遺產(chǎn)的范疇上,文化景觀則擴(kuò)大到區(qū)域空間尺度,并突破精英化的價(jià)值認(rèn)定,開(kāi)始將日常景觀甚至是退化的景觀納入研究。這與2000年頒布的《歐洲景觀公約》中強(qiáng)調(diào)的通過(guò)關(guān)聯(lián)性視角看待景觀的理念,以及2008年發(fā)布的《什么是突出普遍價(jià)值》報(bào)告中指出的可能越來(lái)越多提名列入《世界遺產(chǎn)名錄》的遺產(chǎn)不再是傳統(tǒng)意義上的文物古跡的理念等相符。2020年,《中華人民共和國(guó)文物保護(hù)法(修訂草案)》首次明確了文化景觀等新型文物類型的法定保護(hù)地位,這標(biāo)志著關(guān)聯(lián)性視角下的文化景觀研究已經(jīng)進(jìn)入到一個(gè)全新的時(shí)代。

2 整體性視角下的歷史性城市景觀

2021年,UNESCO的《關(guān)于歷史性城市景觀的建議書(shū)》頒布10周年。在全球一體化浪潮的沖擊下,眾多城市的文化遺產(chǎn)和歷史格局被侵蝕,城市記憶與城市特質(zhì)正在變得模糊。隨著遺產(chǎn)保護(hù)與現(xiàn)代發(fā)展的矛盾沖突在國(guó)際社會(huì)不斷升級(jí),歷史性城市景觀(Historic Urban Landscape,HUL)概念的提出旨在將遺產(chǎn)保護(hù)的重心進(jìn)行轉(zhuǎn)移——從保護(hù)紀(jì)念性建筑轉(zhuǎn)移到構(gòu)筑城市生活的城市價(jià)值,從而將文化遺產(chǎn)納入城市空間發(fā)展的核心內(nèi)容[7]。作為遺產(chǎn)研究領(lǐng)域近年來(lái)的新思潮,HUL超越了傳統(tǒng)“歷史中心”的概念,涵蓋了更為豐富的城市背景及其地理環(huán)境;其不僅有助于理解城市歷史地段的全生命周期,還提供了一種在保護(hù)與發(fā)展的矛盾中指導(dǎo)歷史景觀相關(guān)工作的整體性方法,是遺產(chǎn)保護(hù)領(lǐng)域受到景觀理念影響的典型研究與實(shí)踐代表[8]。

國(guó)際上,世界遺產(chǎn)中心與亞太地區(qū)世界遺產(chǎn)培訓(xùn)與研究中心(WHITRAP)率先推動(dòng)了HUL在文化遺產(chǎn)保護(hù)中的實(shí)踐應(yīng)用。代表性試點(diǎn)項(xiàng)目包括東非斯瓦希里海岸世界遺產(chǎn)城市保護(hù)(如莫桑比克島、桑吉巴爾石頭城和拉穆古城),歐洲城市保護(hù)發(fā)展(如荷蘭阿姆斯特丹、意大利那不勒斯),以及WHITRAP全球性試點(diǎn)項(xiàng)目(如巴基斯坦拉瓦爾品第、厄瓜多爾昆卡、澳大利亞巴拉瑞特、中國(guó)上海和蘇州)。近年來(lái),HUL的研究和實(shí)踐也更多地被納入中國(guó)北京、平遙和麗江等歷史文化名城的保護(hù)規(guī)劃工作中[9]~[11]。這類實(shí)踐嘗試從景觀載體的角度解讀景觀的概念及其方法內(nèi)涵,囊括了要素、價(jià)值、相關(guān)群體和執(zhí)行程序等方面;也進(jìn)一步明確了文化遺產(chǎn)保護(hù)不僅要關(guān)注遺產(chǎn)的價(jià)值保護(hù)與傳承體系,還要提升居民的生活品質(zhì)和遺產(chǎn)管理能力,并將遺產(chǎn)資源納入城市發(fā)展的整體規(guī)劃框架[12]

3 多元化視角下的遺產(chǎn)與景觀

2022年是《公約》誕生50周年。從最初的一紙共識(shí)到今天由一系列術(shù)語(yǔ)、規(guī)范與制度構(gòu)成的復(fù)雜體系,世界遺產(chǎn)已經(jīng)成為人類文明賡續(xù)和世界可持續(xù)發(fā)展的風(fēng)向標(biāo)之一??v觀世界遺產(chǎn)的發(fā)展進(jìn)程,從對(duì)“歷史風(fēng)貌”的完美復(fù)原,轉(zhuǎn)向?qū)Α俺鞘芯坝^”的動(dòng)態(tài)管控;當(dāng)代遺產(chǎn)保護(hù)在注重歷史縱向“歷時(shí)性”過(guò)程的同時(shí),還應(yīng)關(guān)注每一個(gè)時(shí)間斷面上景觀要素的“共時(shí)性”和空間特性。景觀的概念自誕生之日起便具有綜合性與關(guān)聯(lián)性的特征。景觀的綜合性視野推動(dòng)著文化遺產(chǎn)保護(hù)方法不斷發(fā)展,催生出更具關(guān)聯(lián)性、整體性和動(dòng)態(tài)性的文化遺產(chǎn)保護(hù)實(shí)踐。在西方文化語(yǔ)境中,景觀和審美實(shí)踐總是與特定的意識(shí)形態(tài)相關(guān)聯(lián),從而使景觀產(chǎn)生文化、美學(xué)與社會(huì)學(xué)上的意義。在這種語(yǔ)境下,景觀不僅承載著傳統(tǒng)的社會(huì)審美價(jià)值,經(jīng)濟(jì)、文化、生態(tài)等要素在景觀維度上展現(xiàn)出關(guān)聯(lián)性[13]。而在全球城市化的語(yǔ)境中,景觀強(qiáng)調(diào)在遺產(chǎn)保護(hù)與管理過(guò)程中對(duì)于經(jīng)濟(jì)、社會(huì)、文化和自然空間層積性的整體把握,是多學(xué)科知識(shí)體系交叉運(yùn)用的整體觀的集中體現(xiàn)。因此,基于景觀的遺產(chǎn)研究與實(shí)踐有助于人們更好地理解以地方性為基礎(chǔ)的人與環(huán)境的互動(dòng)及其動(dòng)態(tài)過(guò)程與管理,以及公眾參與的這類互動(dòng)的可能性和挑戰(zhàn)[14]

從“文化遺產(chǎn)”到“文化景觀”,從“歷史城市”到“歷史性城市景觀”,基于景觀的遺產(chǎn)研究與實(shí)踐作為一種理念與方法,正在建構(gòu)起一個(gè)豐富的學(xué)術(shù)體系。對(duì)于自然與文化關(guān)系的思辨,產(chǎn)生了文化景觀的概念;對(duì)于空間和交流的理解,催生出文化線路與遺產(chǎn)廊道的類型;對(duì)于傳統(tǒng)與現(xiàn)代之間矛盾的調(diào)和,衍生出HUL的觀點(diǎn);對(duì)于城鄉(xiāng)二元發(fā)展困境與出路的關(guān)懷,則促成鄉(xiāng)村景觀遺產(chǎn)與可持續(xù)發(fā)展議題的廣泛討論。近幾十年來(lái),景觀已經(jīng)成為風(fēng)景園林學(xué)、城鄉(xiāng)規(guī)劃學(xué)、建筑學(xué)、文化地理學(xué)、考古學(xué)、生態(tài)學(xué)、心理學(xué)、社會(huì)學(xué)等學(xué)科的研究對(duì)象。這一發(fā)展趨勢(shì)進(jìn)一步增強(qiáng)了景觀研究的綜合性與多元性,相關(guān)領(lǐng)域的研究和實(shí)踐也明顯呈現(xiàn)出學(xué)科交叉、多方參與和多元共治的特點(diǎn)。

4 面向未來(lái)的遺產(chǎn)景觀研究

近年來(lái),數(shù)字技術(shù)在遺產(chǎn)研究與實(shí)踐中扮演著愈發(fā)重要的角色。以物聯(lián)網(wǎng)、大數(shù)據(jù)和人工智能為代表的新基建、新數(shù)據(jù)、新方法的迅猛發(fā)展正深刻地影響、改變著城市及人們看待城市的方式,并為基于景觀的遺產(chǎn)研究與實(shí)踐帶來(lái)了變革可能。2017年,第19屆國(guó)際古跡遺址理事會(huì)全體會(huì)議將“數(shù)字賦權(quán)時(shí)代的文化遺產(chǎn)保護(hù)和闡釋”作為會(huì)議核心議題之一,這表明數(shù)字化保護(hù)已成為當(dāng)代遺產(chǎn)景觀研究和實(shí)踐的新興領(lǐng)域與重要趨勢(shì)??枴ざ艩柺┑热?sup>[15]的研究發(fā)現(xiàn),人們對(duì)于視覺(jué)環(huán)境中的地理信息特征非常敏感;通過(guò)建構(gòu)一種以地理文化視覺(jué)參照為基礎(chǔ)的“計(jì)算性地理文化建?!狈椒?,發(fā)現(xiàn)數(shù)字技術(shù)可以幫助我們更好地回應(yīng)遺產(chǎn)保護(hù)的基本問(wèn)題——人們?nèi)绾卫斫夂褪褂脷v史空間,歷史空間又以何種方式影響人群的行為。信息技術(shù)支持下的遺產(chǎn)景觀研究是數(shù)字化時(shí)代遺產(chǎn)保護(hù)中最具成長(zhǎng)潛力的學(xué)術(shù)領(lǐng)域之一,而依托數(shù)字技術(shù)對(duì)遺產(chǎn)景觀的空間要素與景觀特征進(jìn)行量化解析將有助于拓展傳統(tǒng)遺產(chǎn)研究的廣度與深度。

當(dāng)前,全球城市化進(jìn)程中的城市保護(hù)與發(fā)展之間的矛盾膠著不下。保護(hù)歷史性空間結(jié)構(gòu)、維持傳統(tǒng)社區(qū)網(wǎng)絡(luò)與促進(jìn)社會(huì)經(jīng)濟(jì)發(fā)展等依舊是HUL需要重點(diǎn)關(guān)注和持續(xù)疏解的核心城市問(wèn)題。盡管數(shù)字技術(shù)的研究潛力巨大,但仍存在一些在技術(shù)層面的基本問(wèn)題,包括如何確定遺產(chǎn)景觀的價(jià)值、真實(shí)性與完整性。而在這些問(wèn)題面前,數(shù)字技術(shù)只能作為輔助研究的工具。如何利用新技術(shù)加深對(duì)遺產(chǎn)景觀的理解、提升遺產(chǎn)管理效率、實(shí)現(xiàn)遺產(chǎn)信息向后代的傳播等是需要我們持續(xù)探索的共同議題。


1  Understanding Cultural Landscape From the Relevance Perspective

“Heritage” is a modern concept inspired by the Enlightenment. As a cultural practice, the nature of heritage involves a range of understandings and building of values, as well as the process of becoming norms[1]. The number of designated heritages in different national-states worldwide has risen since the latter half of the 20th century. The UNESCO Convention Concerning the Protection of the World Cultural and Natural Heritage (“the Convention” hereafter) developed in 1972 is a milestone in the development and institutionalization history of the authoritative heritage discourse—it has not only established an international certification and protection system for natural and cultural heritages with outstanding universal values, but also promoted the existence of heritage towards an important international issue and institutionalized the conservation ethic dating back to the 19th century. Meanwhile, heritage protection objects witnessed a stronger relevance to landscape. Demonstrated in the Convention, heritage includes the “combined works of nature and man,” which gave rise to cultural landscape, a special heritage type.

In the early 20th century, Carl Sauer, an American geographer, first explicitly defined cultural landscape; subsequently, Otto Schlüter, a German geographer, stressed the role of culture in forming landscapes and suggested a distinction between cultural landscapes and natural landscapes[2] in the study of regional settlement patterns and their scientific categorization. His idea prompted the identification of different landscape areas based on the relevance between landscape and environment, and the enrichment of the connotation of cultural landscape by combining “culture” and “l(fā)andscape”[3]. At the end of the 20th century, Swedish geographer Don Mitchell pointed out that “the mechanics of landscape production” is the key to understanding landscape[4]. In his view, landscape, as a cultural practice, is a socio-political process of naturalizing, reproducing, and transforming social or cultural relations, thus landscape should be defined according to the locals’ behaviors, activities, and performances[4]. Influenced by such ideas, American geographer Kenneth Olwig proposed that landscapes are the history of humans’ cultural practices and changes of values, and the landscape-based heritage research and practice should emphasize landscape’s relevance to locality, community, regulations, and customs[5]. Therefore, the proposal and development of cultural landscape has enhanced the relevance between heritage and landscape, and greatly expanded people’s perception of heritage values[6].

The research evolution above has been accompanied with the increasing attention on heritages with cultural landscape attributes, and the term “cultural landscape heritage” has emerged in relevant research and practice. To the nature of heritage, cultural landscape becomes an approach to promoting landscape management and heritage conservation; while to the scope of heritage, cultural landscape expands to regional scales and goes beyond the elitist valuation towards focusing on ordinary landscapes or even degraded landscapes. This is in line with the idea of interpreting landscape from the relevance perspective (as emphasized in the European Landscape Convention issued in 2000) and the notion that more and more nominated properties in World Heritage List may not be the monuments in a traditional sense (as highlighted in the Outstanding Universal Value published in 2008). The Law of the People’s Republic of China on the Protection of Cultural Relics (Revised Draft) publicized in November 2020 firstly clarified the legal protection status of the new types of cultural relics (e.g., cultural landscapes), opening a new horizon for the research on cultural landscapes from the relevance perspective.

2  Interpreting Historic Urban Landscape From the Holism Perspective

The year 2021 marks the 10th anniversary of UNESCO’s Recommendation on the Historic Urban Landscape. Under the impact of globalization, numerous cities’ cultural heritage and historical patterns have been eroded, losing urban memories and urban identities. As the conflicts between heritage conservation and modern development escalate in global society, the concept of Historic Urban Landscape (HUL) was proposed to shift the emphasis of heritage conservation from the protection of monumental architecture to the construction of city life and values, so as to incorporate cultural heritage into the core of urban spatial development[7]. As a new trend among recent heritage studies, HUL transcends the traditional history-centered notion to encompass a more inclusive urban context and geographical environment. HUL not only helps understand the full life cycle of historic urban areas, but also provides a holistic approach to guiding the practice about historic landscapes amidst the contradictions between conservation and development. Influenced by the concept of landscape, HUL offers a paradigm for the research and practice of heritage conservation[8].

Internationally, the World Heritage Centre and the World Heritage Institute of Training and Research for the Asia and the Pacific Region (WHITRAP) take the lead in promoting the application of HUL in cultural heritage conservation practice. Representative pilot projects include the World Heritage-designated cities on the Swahili Coast in East Africa (e.g., the Island of Mozambique, Stone Town in Zanzibar, Lamu in Kenya); European historic cities (e.g., Amsterdam in Netherlands, Naples in Italy), and WHITRAP pilot cities (e.g., Rawalpindi in Pakistan, Cuenca in Ecuador, Ballarat in Australia, Shanghai and Suzhou in China). Recently, the research and practice of HUL have also been integrated in the conservation planning of historical and cultural cities/towns in China such as Beijing, Pingyao, and Lijiang[9]~[11]. Such practices interpret the connotation of landscape regarding landscape as a medium, covering elements, values, stakeholders, and implementation procedures, and also clarify that cultural heritage conservation should focus on the value preservation and inheritance system and improve citizens’ life quality and their heritage management ability, so as to integrate heritage resource into the overall planning of urban development.[12]

3  Exploring Heritage and Landscape From the Diversity Perspective

The year 2022 enters the 50th anniversary of the Convention. From an initial consensus to today’s complex system of terms, norms, and institutions, World Heritage has symbolized human civilization continuance and the world’s sustainable development. The development of World Heritage has shifted from the integral restoration of “historic landscape” to the dynamic management of “urban landscapes.” Not only should the contemporary heritage conservation focus on the diachronicity of history, but it also needs to pay attention to the synchronicity and spatial characteristics of landscape elements in each temporal section. The concept of landscape emphasizes holism and relevance since its emergence. The holism perspective drives the advance of cultural heritage conservation methods, leading to practices of greater relevance, holism, and dynamics. In Western cultural contexts, landscapes and aesthetic practices are always associated with certain ideologies that give cultural, aesthetic, and sociological meaning to landscapes. Thus, landscape carries traditional social aesthetic values and exhibits the relevance to economy, culture, and ecology[13]. In the context of global urbanization, landscape emphasizes a holistic understanding of economic, social, cultural, and natural spaces in heritage conservation and management, and a holistic view that combines and applies multidisciplinary knowledge hierarchies. Thus, landscape-based heritage research and practice contribute to a better exploration of human-environment interactions upon locality and the related dynamics and management, as well as the possibilities and challenges of public participation in such interactions[14].

From “cultural heritage” to “cultural landscape,” from historic city to historic urban landscape, landscape-based heritage research and practice, as a concept and a method, are constructing a productive academic system. The speculation of the relationship between nature and culture led to the birth of cultural landscape concept; the understanding of spaces and communications enriched the typologies of cultural routes and heritage corridors; the mediation of the conflicts between the traditional and the modern stimulated the views on HUL; and the concerns on the urban-rural dichotomy resulted in an extensive discussion about rural landscape heritage and sustainable development. In recent decades, landscape has been studied by different disciplines including landscape architecture, urban and rural planning, architecture, cultural geography, archaeology, ecology, psychology, and sociology. This trend enhances the synthesis and diversity of landscape research, and also promotes multi-disciplinary studies, multi-stakeholder participation, and multi-entity governance in associated fields.

4 Heritage Landscape Research Towards Future

Recently, digital technology plays an increasingly important role in heritage research and practice. New infrastructure, data, and approaches (e.g., the Internet of Things, big data, and artificial intelligence) are profoundly changing the city and the ways we see the city. All of these are bringing existing opportunities to landscape-based heritage research and practice. The International Council on Monuments and Sites (ICOMOS) General Assembly took “protecting and interpreting cultural heritage in the age of digital empowerment” as one of the core topics, suggesting that digital conservation has become an emerging interest in contemporary heritage landscape research and practice. Carl Doersch et al.[15] found that people are sensitive to the geo-informative characteristics of visual environment. Through computational geo-cultural modeling that is featured with geo-cultural visual reference, their research shows that digital technology can help us better respond to basic questions in heritage conservation—how to understand and utilize historical space, and how historical space affects people’s behaviors. In digital era, heritage landscape research supported by information technology is of great potential, and quantitative research of the spatial elements and characteristics of heritage landscapes will help improve traditional heritage research in width and depth.

At present, conflicts between urban conservation and development still intensify along with global urbanization. HUL needs to keep its focus on the preservation of historic spatial structures, maintenance of traditional community networks, and promotion of socio-economic development. Despite its promising potential, digital technology is still inadequate to respond to fundamental technical problems, for example, how to determine the value, authenticity, and integrity of heritage landscapes. In other words, digital technology at present can only be an assistive tool to our research. How to utilize new technologies to deepen our understanding of heritage landscapes, to enhance the efficiency of heritage management, and to keep and spread the heritage information and knowledge to future generations are common issues that need to be continuously explored.


 

REFERENCES
[1]   Smith, L. (2006). Use of Heritage. Routledge.
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[3]   Conzen, M. P. (1990). The Making of the American Landscape. Routledge.
[4]   Mitchell, D. (1994). Landscape and surplus value: The making of the ordinary in Brentwood, CA. Environment and Planning D: Society and Space, (12), 7–30.
[5]   Olwig K. R. (1996). Recovering the substantive nature of landscape. Annals of the Association of American Geographers, 86(4), 630–653.
[6]   Liu, Y. (2015). Three dimensionalities of value inspired by cultural landscape: Take World Heritage Cultural Landscape as example. Landscape Architecture, (8), 50–55.
[7]   Li, J., Jing, F., & Shao, Y. (2022). Global practices of the UNESCO Historic Urban Landscape: Ten-year review and insights for Chinese urban heritage protection. City Planning Review, 46(11), 90–98.
[8]   Liu, Y. (2017). Historic Urban Landscape. Landscape Architecture, (6), 4–5.
[9]   Li, J., Krishnamurthy, S., Pereira Roders, A. R., & van Weswmael, P. (2021). Imagine the Old Town of Lijiang: Contextualising community participation for urban heritage management in China. Habitat International, (108), 102321.
[10]       Lv, Z. (2022). Cognition and protection of Beijing central axis from the perspective of Historic Urban Landscape. Landscape Architecture. 29(4), 20–25.
[11]       Shao, Y., Hu, L., & Zhao, J. (2016). A research on the conservation plan of the human-habitat World Heritage: Case study of Pingyao Ancient City. Urban Planning Forum, (5), 94–102.
[12]       Veldpaus, L., & Pereira Roders, A. R. (2017). Historic Urban Landscape Approach as a Tool for Sustainable Urban Heritage Management. In: S. Asikainen, C. Brites, K. Plebańczyk, L. Roga? Mijatovi?, & K. Soini (Eds.), Culture in Sustainability: Towards a Transdiciplinary Approach (pp. 62–74). University of Jyv?skyl?.
[13]       Zhou, X., Liu, Z., & Shi, J. (2022). Evaluation on visual landscape perception under the support of digital footprint: A case study of Historic Urban Landscape of the Qinhuai River Area. Landscape Architecture, 29(9), 18–25.
[14]       Stenseke M. (2018). Connecting ‘relational values’ and relational landscape approaches. Current Opinion in Environmental Sustainability, (35), 82–88.
[15]       Doersch, C., Singh, S., Gupta, A., Sivic, J. & Efros, A. A. (2012). What makes Paris look like Paris?. ACM Transactions on Graphics, 31(4), 1–9.

 


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