深圳“篝火”空間裝置設(shè)計(jì) | MAT超級(jí)建筑事務(wù)所

此空間裝置是MAT超級(jí)建筑事務(wù)所為2019深港城市\(zhòng)建筑雙城雙年展（深圳）大鵬溪涌分展場(chǎng)創(chuàng)作的一個(gè)作品，參展板塊為“后集體年代”。此作品設(shè)計(jì)時(shí)間30天，現(xiàn)場(chǎng)搭建時(shí)間7天，雙年展展期為90天。

^{This spatial installation is an artwork by MAT Office delivered to the 2019 UABB（Shenzhen) XICHONG SUB-VENUE; and the exhibiting topic is “post-collective era”. The artwork was conceived in 30 days, 7 days installed on-site and will lasts 90 days for the biennale.}

作品《篝火》位于深圳大鵬新區(qū)溪涌工人度假村內(nèi)的閑置燒烤場(chǎng)，場(chǎng)地四周被樹木環(huán)繞，場(chǎng)地南側(cè)面臨大海和溪涌沙灘。這片集中燒烤場(chǎng)地由幾十個(gè)圓形或方形的燒烤單元組成，其同質(zhì)、重復(fù)、匿名的整體面貌呈現(xiàn)，可以作為曾經(jīng)計(jì)劃經(jīng)濟(jì)時(shí)代整齊劃一的“集體”方式的完美比喻。此外，集中燒烤這種規(guī)模性復(fù)制的消費(fèi)行為，也是在快速、焦躁的消費(fèi)社會(huì)所形成的文化危機(jī)中，對(duì)集體行為的一種下意識(shí)的延續(xù)和對(duì)曾經(jīng)的理想世界的莫名回響。

^{The work “Bonfire” is located in a vacant BBQ site in Xichong Resort, Dapeng New District, Shenzhen City. The site is surrounded by lush trees, and with the sea and a beautiful beach at the south. This BBQ site is consisted with dozens of round/square units, the characteristic of its homogenize, repetition, anonymous and integration, could perfectly represent the “collective” approach of the planned economy era in China. Nevertheless, the consumption behavior of concentrated BBQ, which is a large-scale reproduction, is also a kind of subconscious continuation of the collective behavior and an inexplicable echo of the ideal world under the cultural crisis formed by the fast and restless consumer society.}  

^{▲場(chǎng)地與海的關(guān)系 the site and the sea ? MAT}

^{▲從場(chǎng)地西側(cè)看 view from west side ? MAT}

^{▲傍晚從樹林中看 Bonfire at nightfall ? MAT}

如今社會(huì)網(wǎng)絡(luò)中，個(gè)體與集體的關(guān)系重塑著人們對(duì)于公共空間的認(rèn)知，匿名的“個(gè)體”不斷地面臨著異化的可能，“集體”也在一次次的轉(zhuǎn)換之中被重新定義。在作品構(gòu)思中，我們?cè)噲D打破燒烤場(chǎng)原有的兵營(yíng)式布局，轉(zhuǎn)為自由“個(gè)體”的瞬時(shí)連接和重組，并通過(guò)在地性搭建的方式在這片燒烤場(chǎng)中塑造一個(gè)即時(shí)的“集體”空間。

^{In today’s social network, the relationship between individual and collective is now reshaping people’s cognitive of public space, the anonymous “individual” is constantly facing the possibility of alienation, while the idea of “collective” has been redefined with those transitions. The idea of the work “Bonfire” is trying to break the original barracks layout of the BBQ site, and turning to a freestyle connection and reorganization, so as to create an instant “collective” space by the on-site installation.}

^{▲初始概念模型 rendering of the installation ? MAT}

^{▲面朝大海的方向 facing the sea ? MAT}

^{▲篝火游樂(lè)園 bonfire amusement park ? MAT}

^{▲連接和覆蓋 link and coverage ? MAT}

作品《篝火》宣告了這個(gè)新的“集體”的誕生：在大海邊的樹林里，我們依據(jù)燒烤場(chǎng)的原有爐灶布局在地構(gòu)建了一組連續(xù)的空間裝置，在爐灶上方的篝火的形象作為人類社會(huì)“集體”概念最早出現(xiàn)的象征之一，既可以作為曾經(jīng)的集體“在場(chǎng)”的證明，又可以看做是當(dāng)下即時(shí)產(chǎn)生的“集體性”在空間上的投射。

^{The work “Bonfire” actually announced the birth of this new “collective” .In the woods by the seaside, we built a continuous spatial installation based on the original stove layout on the BBQ site, the image of bonfire above the stove seems as one of the earliest symbols of “collective” in human society; it can be the proof of “ presence” for the past collective, and is also able to be conceived as the spatial projection of the instant “collective” at the moment.}

^{▲平面圖 diagram plan ? MAT}

^{▲軸測(cè)圖 front axon ? MAT}

^{▲篝火場(chǎng)地俯視 bird's eye view of the site ? MAT}

^{▲活力樂(lè)園 dynamic park ? MAT}

^{▲瞬時(shí)公共空間 instantaneous collective space ? MAT}

作品《篝火》中，由黃色腳手架相互鉸接而成的連續(xù)空間架構(gòu)和場(chǎng)地上的彩色噴涂一起形成了富有趣味的公共活動(dòng)空間，變荒廢、乏味的燒烤場(chǎng)地為充滿活力的樂(lè)園。彈力材料在海風(fēng)作用下的持續(xù)顫動(dòng)，仿佛宣告著時(shí)間的流逝與集體的在場(chǎng)；而夜晚降臨時(shí)，暮色下樹林間一叢叢黃色的大火苗又像是在訴說(shuō)著人類活動(dòng)的生生不息。

^{The work “Bonfire” creates an interesting public space with the continuous frame by yellow scaffolding and colorful spray on the ground; it converts the derelict and boring BBQ venue into a vibrant playground. The elastic material keeps vibrating under the influence of the sea breeze, as if to declare the passage of time and the presence of collective. When night fell, the cluster of yellow fires in the woods under dusk seemed to convey the story of circle of human activity.} 

^{▲架構(gòu)之下 under the constructions ? MAT}

^{▲起伏的篝火 rolling bonfire ? MAT}

^{▲場(chǎng)地搭建現(xiàn)場(chǎng) in construction ? MAT}

^{▲連接構(gòu)件細(xì)節(jié) model detail ? MAT}

項(xiàng)目圖紙

^{▲總平面圖 masterplan ? MAT}

^{▲立面圖 elevation ? MAT}

^{▲爆炸軸測(cè)圖 exploded axon ? MAT}

^{展覽指導(dǎo)單位：深圳市大鵬新區(qū)管理委員會(huì)}

^{展覽主辦單位&承辦單位：溪涌度假村（深圳市工人療休養(yǎng)院）}

^{展覽協(xié)辦單位：深圳市裕和投資有限公司，深圳市裕和溪涌社區(qū)發(fā)展基金會(huì)}

^{策展人： 韓晶，握手302}

^{參展方：MAT 超級(jí)建筑事務(wù)所}

^{設(shè)計(jì)和搭建團(tuán)隊(duì)：唐康碩，張淼，劉友鵬，吳明雨，譚小丹}

^{主要材料：腳手架鋼管，彈力繃帶，地坪漆}

^{完成時(shí)間：2019.12}

^{攝影：唐康碩}

^{視頻：唐康碩，張淼}

^{Guiding Unit: Shenzhen Management Committee of Dapeng New District}

^{Organizer & Executive Organizer: Xichong Resort (Shenzhen Workers' Nursing Home)}

^{Co-organizer: Shenzhen Yuhe Investment Co. LTD, Shenzhen Yuhe Xiyong Community Development Foundation}

^{Curator: HAN Jing, Handshake 302}

^{Exhibitor: MAT Office}

^{Design and Install: TANG Kangshuo, ZHANG Miao, LIU Youpeng, WU Mingyu, TAN Xiaodan}

^{Material: scaffold pipe, elastic belt, floor coating}

^{Completion: 2019.12}

^{Photograph: TANG Kangshuo}

^{Video: TANG Kangshuo, ZHANG Miao}